Missoula in Spring is lovely. Our caged wintered souls, who
scoffed at the idea of sun returning now bask in the long days, dainty rain
showers, and sunny picnic dinners. Only a few weeks ago I was literally
counting the days until we headed back East. All has changed after two long
weekend trips to beautiful places. With the return of the Montana sun my
heart aches with nostalgia for a place we've lived less than a year.
My desk
mate Hattie, who since Fall has daily remarked
“What would I do without you Abigail?! You’re the best desk
mate!”
now daily chimes
“She’s leaving soon.”
We ARE leaving soon. In fifty-five short days we will pack
our Subaru, Tri Tran, to the gills and lumber across the country to a new
season of life. With this future moment nudged lovingly to the side I want to
soak in every detail I love about this place.
Last night we went to see the Tallest Man on Earth at the
Wilma Theater. Our apartment here is tiny, so many times I’ve considered that
home here for us is made up of the small nooks and crannies of Missoula. The
Wilma is part of our “home” that I will always treasure.
This historical, not
quite restored theater is the best music venue I’ve ever been to. Every time we
see a show here the musicians marvel at the intimacy and energy of the space.
We usually sit in the balcony because it boasts good views and less hipster
noise pollution. Even above the crowd, we are close enough to see even the
subtle facial expressions of people on stage. The creaky old red faux leather
seats, peeling satin wall paper, and huge creepy cherub light sconces all add
to the unique feel of casual interaction and intimate experiences.
In December we went to the Wilma to take part in the Sufjan Steven Christmas Sing A Long Extravaganza. More performance art than concert,
the band members wore extravagant costumes and sang social commentary about the
commercialization of the Christian Holiday as they passed out plastic Christmas
kitschy inflatable reindeer and spun the wheel of Christmas songs. It was an indescribable
delight.
In
March we saw Josh Ritter. He magically wooed the crowd into quiet listening,
unplugged his guitar, asked for the lights to be turned down and sang
acoustically. It was beautiful.
Last night was Mr. Kristian Matsson. He pranced onto stage on his
skinny little legs and produced big sound for a man by himself with only a
guitar. I love concerts that encompass
poetic truth, varied rhythms, and performance art. We will miss good ‘ol Wilma.

